9/26/2023 0 Comments Patina novelEngaging with recent debates on the relative function and value of description and interpretation in literary studies, the article asks whether the notion of an ADD literary aesthetics, grounded in critical disability studies, might provide a route out of the dichotomy of suspicious analysis and reparative description. To pursue this question, the article performs a close reading of Mary Robison’s Why Did I Ever (2001), a novel narrated by Money Breton, a woman with an ADD diagnosis. ![]() "A sassy, sexy, laugh-out-loud rom-com between the hottest man never to be tamed and the woman crazy enough to try SHE WANTS TO CHANGE THE WORLD. Taylor Reed is no stranger to selfish, uncaring CEOs. So Taylor shocks even herself when she agrees to coach Bennett Wade, the cutthroat exec who got her unceremoniously canned. She'd love to slam the door in his annoying but very handsome face, but the customers aren't exactly lining up at her door. A sassy, sexy, laugh-out-loud rom-com between the hottest man never to be tamed and the woman crazy enough to try Taylor Reed is no stranger to selfish, uncaring CEOs. Plus, this extreme makeover will give Taylor the golden opportunity to prove that her program works like a charm. She was fired by one, which is why she has created her own executive training program-helping heartless bosses become more human. Bennett Wade is many things-arrogant, smug, brusque-but trusting isn't one of them. Women just seem to be after his billions. So when he hires Taylor Reed, he has no desire to change. Bennett is trying to win over the feminist owner of a company he desperately wants to buy, but something about the fiery Taylor thaws the ice around his heart, making Bennett feel things he never quite planned on. It's not the taking part, it's the winning that counts for Patina!Īnd if there's one thing Bennett can't stand, it's when things don't go according to plan. Patty, as she's known to her friends and family, has lost a lot in her life - her dad died when she was young, her mum has lost her legs and now she has to live with her uncle and his wife. On top of that Patty has to go to the poshest school that ever existed. ![]() Now her running team has become a relay team and independent "I can do everything by myself" Patty has to work with her team mates to win.įour kids from wildly different backgrounds with personalities that are explosive when they clash. They all have a lot to lose, but they also have a lot to prove, not only to each other, but to themselves.īut they are also four kids chosen for an elite middle school track teama team that could qualify them for the Junior Olympics if they can get their acts together. She runs for many reasons to escape the taunts from the kids at the fancy-schmancy new school she's been sent to ever since she and her little sister had to stop living with their mom. The Age of Surveillance Capitalism by Shoshana Zuboff is an impassioned warning about the dangers associated with commercial surveillance. Zuboff, Professor Emerita at Harvard Business School, argues that her book is an “effort to understand surveillance capitalism and its consequences.” (17) To accomplish this, the book waxes and wanes between vivid descriptions of exploitative digital surveillance practices and abstract philosophizing about the nature of human freedom in a surveillance-filled world. The message is clear: if surveillance capitalism continues on its present course, human freedom and agency might disappear from the face of the Earth. The book lays out its argument in three sections. ![]() The first part is mainly descriptive, demonstrating how companies like Google and Facebook discovered what Zuboff calls the “behavioral surplus.” (63) This surplus is the data surveillance capitalists accumulate when consumers use their services. Surveillance capitalism was born when technology firms realized they could make money using this behavioral data.
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